I've been with the FACF almost since its inception. I've seen it evolve, and this relationship between the worlds of cinema is essential. It's a real friendship, in which each of us gets to know the other.
Extend and strenghten dialogue between the creators and the industries of both countries
The French are convinced they invented cinema with the Lumières brothers, and the Americans with Edison. The important thing is that they’re talking to each other, and that they’ve decided to turn this into a strength: a unique partnership created in 1996 between the Directors Guild of America (DGA), the Motion Picture Association (MPA), the Society of Authors, Composers and Publishers of Music (Sacem) and the Writers Guild of America West (WGAW), the Franco-American Cultural Fund is committed to enhancing the industries of both countries and promoting French cinema in the United States. It is chaired by Cécile Rap-Veber, Managing Director of Sacem, and its honorary president is Costa-Gavras.
Since 1997, The American French Film Festival (formerly COLCOA) has been showcasing the best of French film and audiovisual diversity in the heart of Hollywood.
TAFFF, as it’s known, is the largest festival of French cinema and audiovisual arts outside France, and every year welcomes the pundits and the future of French cinema to Hollywood.
Created by the Motion Pictures Association in 1991 under the impetus of its then president Jack Valenti, the Michel d’Ornano award is dedicated to the memory of the former minister, mayor of Deauville and co-founder of the Deauville American Film Festival. It rewards a first French feature to help promote and export it.
The award is presented during the Deauville American Film Festival by a jury of Anglo-Saxon journalists chaired by Jean-Guillaume d’Ornano. Since 2009, the prize has been supported by the FACF, enabling the winning film to be previewed at TAFFF. In 2015, the award was renamed d’Ornano-Valenti award.
Albertine Cinémathèque, formerly known as the “Tournées” program, is a program of the Villa Albertine and the FACE Foundation, supported by the CNC and the FACF.
Conceived with the aim of developing access to French cinema and supporting the programming of French films at American universities (40 campuses including Cornell, Princeton, Tampa, Chapman, etc.), its annual selection of films calls for the exploration of the major issues of our time while nurturing an enduring interest in an evolving and highly diverse art form.